The Huntington Art Gallery is situated in the
villa built in San Marino by Henry Huntington in 1911 and opened to the public
in 1928, only a year after Henry’s death, as he wanted. The north façade is
reflecting Arabella’s affinity for Paris architecture, while the south façade
is in the Mediterranean style of early 20th century California. Inside,
there is a big scale, wanted by Arabella too. The entry of the house is modest,
with a space for welcoming the visitors and for putting their coats and their
luggage. The house contains a hall, a library, a drawings room, a dining room, a
terrace… Actually, there is no more bathrooms and kitchen (it’s not useful now
that is an art gallery).
The Huntington's house in San Marino.
The interior has been designing by Arabella and Duveen
Brothers (a art dealer). The residence was described by Edwin E. Flynn, special
London correspondent of the San Francisco Examiner in 1909 : “The
Duveens are planning the entire interior decoration of the new Huntington
mansion, which is destined to be an art palace… The library in which the
[Beauvais] tapestries are to be hung will be of the Louis XIV period, the
drawing room a Louis Seize example while the dining-room and corridor will
purely Georgian. The Duveens are now collecting pieces of painting and
sculpture and objects of art to harmonize with the various rooms”. Actually, all
the walls and the rooms of the house are decorated with European paintings,
sculptures, objects of decorative art, prints and drawings, from the 15th
to the early 20th century. Some of those artworks were found when
Henry and Arabella were honeymooning in Europe in 1913.
A part of this art collection consists of
British paintings of the 18th and early 19th century by
the most important English artists of the period : Thomas Gainsborough, Thomas Lawrence,
Joshua Reynolds, George Romney, William Turner, John Constable, William Morris,
Edward Burne-Jones... Anyway, the two masterpieces of the Art Gallery are Blue
Boy by Thomas Gainsborough and Pinkie by Thomas Lawrence (but we
will see more about those paintings later). Henry began to concentrate on
British portraits in 1908 ; Arabella bought her first significant 18th
century British portraits for San Marino collection when she was in Paris in
July 1911 (ex : Thomas Gainsborough, Penelope, Viscountess Ligonier and Juliana,
Baroness Petre). One of the last English artworks bought by Huntington, in
1922, is The Grand Canal : Scene – A Street in Venice by William Turner
(or Marriage of the Adriatic). After Arabella’s death, Henry continued
to purchase British art.
Thomas Gainsborough, Penelope, Viscountess Ligonier,
1770.
William Turner, The Grand Canal: Scene -
A Street in Venice, c. 1837.
In the French collection, the Barbizon
paintings were bought by Arabella, for example Hauling in the Net (Twilight)
by Camille Corot bought in 1907. But the French art of the collection is mostly
from the 18th century, represented by artists such as Antoine
Watteau, Jean-Honoré Fragonard and Jean-Baptiste Greuze. The collection
includes a group of Sèvres porcelain and a set of Beauvais tapestries.
Camille Corot, Fisherman Hauling in the Net,
Twilight, c.1870.
Sevres Porcelain Manufactory, Lidded Vase, 1781.
Old Master paintings of the Huntington came
from the Rodolphe Kann collection (Kann was a mining magnate and banker who
assembled an art collection in the 1880s). It’s the case of Aristotle with a
Bust of Homer by Rembrandt, today exhibited at the Metropolitan Museum of
New York, Portrait of a Little Girl by Diego Velazquez, and the Virgin
and Child by Roger Van der Weyden. Some decorative artworks, like vases or
ewers, came from the Kann collection. But the most important part of the Kann
collection bought by Arabella and Henry Huntington is still certainly the set
of five Beauvais tapestries (18th century), including The Noble
Pastoral designed by François Boucher, and already mentioned in the French
collection.
Roger Van der Weyden, Virgin and Child,
c.1460.
Domenico del Ghirlandaio, Portrait of a Man and
Portrait of a Woman, c.1490.
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